Try not to pull your bucket hat over your eyes when this hits. It’s fresh and funky, plus Wale always deads the mic. Sliink has long been a king of Jersey beats, and his work with Skrillex and Austin Millz on this hook is bananas. Skrillex, Wale, Austin Millz, “Saint Laurent” “Don’t Call Me” is the single that you can’t get out of your head. Yuna, “Don’t Call Me”Įmergency brain surgery left her unable to speak or hear music, this California beat queen relearned her craft and stole the year with a series of melodic and triumphant releases. Grab your partner, hit the dance floor and jam out to Felix Jahen and Alex Aiono’s groover. The infectious brass stylings of “Hot2Touch” are too good to resist. Felix Jaehn, Hight, Alex Aiono, “Hot2Touch” The unlikely pairing resulted in a beautiful, feel-good indie electronic record. A R I Z O N A, “Take Her Place”įuture house connoisseur Don Diablo recruited one of the hottest alt-pop bands of the year, A R I Z O N A, for “Take Her Place”. You’ll hear it right from the beginning of “TH2C”. 1 EP runs seven tracks deep and pays homage to the their Pakistani heritage with the incorporation of Middle Eastern-influenced melodies. They’re the songs we think will go on to define the year, the songs you couldn’t escape and the songs you didn’t want to.īillboard's 100 Best Songs of 2017: Critics' Picks

Fear not clubgoers - we’ll shed light on our favorite house and techno tracks in a later list, but this list is all about the songs that will one day remind you where you were and who you were with in 2017. Below, you’ll find our picks for 2017’s best dance songs that made a major impact on the charts and on the influence of the genre as a whole. When compiling our list, we at Billboard Dance decided to weigh both quality and impact. Tropical rhythms and youthful abandon rules the airwaves across genres, even as a few old dance-rock favorites returned triumphantly to the spotlight. Many of the genre’s biggest names pushed themselves in new directions, turning in their turntables for synthesizers and microphones, or climbing in the studio with acts from pop and hip-hop to create new intersectional sounds that better reflect modern listeners’ genre-blurred interests. The dance music scene came alive in 2017.

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